In addition, the cymbal pads do not choke easily and they require an unnaturally firm pinch to work. The pads, although they were responsive, didn’t always provide a smooth dynamic range and could at times feel a little clunky. After a considerable amount of time tweaking with the bass drum, I was still experiencing some unwanted re-triggering. Firstly, the kit did not play well straight from the box and it required a lot of adjustment for my playing style. Once converted, it then becomes possible to assign each sample within a specific velocity range for a more natural playing experience.ĭespite some genuinely great functionality inside the Strike module, I also experienced some teething issues. To do this, the Strike Software Editor must be used to convert the samples so that they can be recognised as instrument files on the module – although this really should be a fairly painless process once you’ve familiarised yourself with the super in-depth software. However, using the sounds within kits is a totally different story. These will then show as a list within the ‘sample’ menu. When it comes to loading custom samples, it’s a breeze to drop backing loops onto the included SD card. ![]() This approach can be enhanced further by delving into the module’s ability to blend multiple instruments on one trigger. There are a number of electronic sounds too, such as the EDM kit, which really showcases the dual-zone pads with the addition of melodic hits on the rims. Kits start with standard acoustic drums and highlights include an addictive Rosanna shuffle kit and a fun nod to Phil Collins classic ‘In The Air Tonight’ sound. The inbuilt samples are of a good quality and the sheer number of kit presets take a long time to explore. Just in case anyone was having trouble making up their mind, Alesis has seen fit to offer an expansion pack (£449.99), which not only includes the aforementioned items but also some racking to accommodate the extra pads – ideal if you buy the standard Strike and you subsequently want to upgrade. With the Strike retailing at £1,699.99 and the Pro at just £400 more, it seems logical to go for the Pro if budget allows. In fact, it’s basically the same kit and module, less two 14" cymbal pads and the large 14" tom pad. It’s worth mentioning that the Alesis Strike kit, which is the next model down, shares a lot of similarities with the Strike Pro. ![]() Each ‘shell’ even has funky-looking chrome tube-style lugs. Some real effort has been made with the Strike Pro to make the drums look as realistic as they possibly can not only do the pad diameters increase as you move around the kit, but the shells are finished with a red sparkle wrap and use triple-flanged hoops over the mesh heads. There is a decent snare stand supplied but an additional hi-hat stand and bass drum pedal will be required to complete the setup. The heavy-duty frame is exceptionally stable and locks together easily thanks to slotted poles. In an attempt to make this process as straightforward as possible, the Strike module connects with included companion Strike Software Editor, which makes a high level of kit customisation possible, right from your computer desktop. Perhaps most impressive is that the Strike Module accepts user samples not only for looping or backing purposes but for actual drum kit creation – a feature that has only recently been introduced to top-of-the-line e-kits. The unit features an on-board effects engine and in-built sampling capability that allows the real-time recording and editing of audio via the aux input. The module is equipped with over 100 pre-programmed kits and has the on-board capacity to store up to 200 user kits, in addition to an unlimited number of externally-saved kits.
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